SURFACE LOOKING FOR DISTORTION
FROM PIXEL TO PAINT AND BACK
Exploring the space between computerized imagination and physical reality through mixing acrylic and plastic
This body of work brings together three interconnected series Modern Renaissance, Melting Art, and the Digital Collages constructed from photographed brushstrokes and 3D pen interventions. Across these works, historical imagery, physical paint, synthetic materials,
and digital manipulation intersect through processes of layering, distortion, and reconstruction. The image becomes a shifting surface where painterly gesture, artificial textures, and fragmented visual references coexist, generating compositions that move between recognition and transformation.
GE, 2018 Acrylic on canvas PLa and resin 150X80 cm
Historical forms reimagined through digital transformation
CONTEMPORARY RENAISSANCE
MELTING PORTRAITS
Portraits dissolve into shifting visual states where identity, memory and distortion overlap. Through fragmentation and digital transformation, the image loses stability and becomes a fluid psychological surface suspended between presence and collapse.
“Synthetic Emotion #01”
The images are constructed through photographic collages of painted surfaces and plastic interventions, where texture, synthetic matter, and painterly gesture overlap into fragmented compositions balancing between material presence and digital instability.
INK ON PAPER
These sketches collect visual ideas for dreams, fables, and projects developing . Through unfinished compositions and exploratory forms, they document a process of imagining, testing, and shaping narratives before they become final works.
ALICE IN FASHIONLAND
Alice no longer falls into Wonderland. She slips instead into the backstage of a fashion show populated by unstable identities, synthetic and overdressed archetypes performing their own illusion of individuality.
