Transforming digital images into physical structures through 3D pen
I explore fragmentation, layering, and loss of control by translating flat visuals into unstable, hand-built forms.
My work investigates the tension between digital image and physical matter. Using a 3D pen, I translate two-dimensional images into unstable, three-dimensional structures through processes of layering, fragmentation, and accumulation. The work is built manually, without predefined precision, allowing error and deviation to shape the final form. Rather than replicating images, I use them as a starting point for transformation, where control is partial and the outcome emerges through interruption and material instability.
BLEJZCA’s practice operates at the intersection of digital image and physical form. By destabilizing visual references, the work moves beyond representation, questioning the materiality and permanence of the image. Positioned between drawing, sculpture, and digital residue, each piece becomes an autonomous object, detached from its original function
