LINES THAT REFUSE TO STAY STILL
Transforming digital images into physical structures through 3D pen FILAMENTS, PRESENCE
AS PHYSICAL FORMS
AS PHYSICAL FORMS
I explore fragmentation, layering, and loss of control by translating flat visuals into unstable, hand-built forms. I’m working with 3D pen to create sculptural drawings in the surrounding.
”I draw in space using PLA, transforming lines into a material visualization”
My work investigates the tension between digital image and physical matter.
Using a 3D pen, I translate two-dimensional images into unstable, three-dimensional structures through processes of layering, fragmentation, and accumulation.
The work is built manually, without predefined precision, allowing error and deviation to shape the final form. Rather than replicating images, I use them as a starting point for transformation, where control is partial and the outcome emerges through interruption and material instability.
BLEJZCA’s practice operates at the intersection of digital image and physical form.
By destabilizing visual references, the work moves beyond representation, questioning the materiality and permanence of the image.
Positioned between drawing, sculpture, and digital residue, each piece becomes an autonomous object, detached from its original function.
These sculptural drawings operate in a state of tension between construction and collapse, precision and unpredictability. The process deliberately resists full control, allowing interruptions, errors, and distortions to inform the outcome. This approach extends into my work with digital imagery, where I deconstruct photographic and video material in order to replicate a similar sense of plastic tension. By fragmenting and reconfiguring the image, I seek to destabilize its surface and disrupt its continuity, translating it into a dynamic, layered visual field.
Within a residency context, I aim to further develop this research by expanding the scale of my installations and experimenting with new spatial configurations, responding to the specific architectural and social context of the site.